/* The fourth page: a narrative, not a treatise.
 *
 * It inherits `css/treatise.css` and changes only what the difference between a
 * treatise and a speaking voice demands. Everything else stays the same, so that
 * the reader recognises the same edition.
 */

/* **The text runs on through.** Stefan on 8 August 2026: "dies ist eine
   erzählung und der lesefluss muss erhalten bleiben. jetzt ist es zu sehr nach
   kapiteln fragmentiert. mache es eher wie subheadlines, lass den text
   zusammenhängen."

   The seven sections still stand in the markup, because the counting of
   references runs per part and the margin column has to sit beside its own
   sentences. They are no longer visible: no rule, no head block, no number, no
   extra spacing. What remains is the subheading in the text column, and
   `css/treatise.css` already sets that as `.prose h2` the way it is needed
   here. */
.narrative .chapter {
  border-top: 0;
  padding-bottom: 0;
}
/* The space before the subheading: measured, at `--air * 2.2` it was a hundred
   and fifty-one pixels, and that is the air of a change of chapter and not that
   of a subheading. */
.narrative .chapter .prose h2 {
  margin-top: calc(var(--air) * 1.4);
  /* The paragraphs of the narrative carry their spacing below (see further
     down), and without this line the first sentence stuck to its heading. */
  margin-bottom: .45rem;
}

/* **The tier stands once and not seven times.** In the treatise `reading` marks
   out a single chapter among nine, with a gold edge and a ground of its own, and
   that carries there because it shows the difference from the other eight. Here
   everything stands at tier 2. Seven gold edges one below the other distinguish
   nothing and only make noise, so the preliminary note alone carries the mark;
   it is the place where the matter is explained. The foot says it once more. */
/* **The note is set in the other voice.** Stefan on 3 September 2026:
   „typografisch distinkt von der Fabel machen." At .94 em of Charter it was the
   fable a shade smaller, and a reader who skims takes it for the first
   paragraph of the story. This edition already gives every editorial voice the
   apparatus face — the margin beside the text, the tier marks, the foot — so
   the note now speaks in a voice the reader meets again on every page, and the
   Charter below it belongs to the bee alone. The measure comes in with it: a
   sans at this size wants a shorter line than a serif. */
.narrative .preface .prose {
  max-width: 34em;
  font-family: var(--apparatus);
  font-size: .86em;
  line-height: 1.62;
  color: var(--ink-quiet);
}
.narrative .preface .prose p { margin: 0 0 .85em; }
/* The word that names the note, run into its first line. It carries the ink of
   the fable so that it holds the eye for the length of one word, and the note
   behind it stays in the quiet grey. */
.narrative .preface .run-in {
  font-weight: 600;
  color: var(--ink);
}

/* Spoken language lives on the paragraph. In the treatise there are long
   paragraphs with references inside them; here they are short and follow closely,
   and without a little more air between them it reads as a block. */
.narrative .prose p { margin: 0 0 .95em; }

/* The subtitle carried a width of its own here, because it consists of two
   sentences. Since 9 August 2026 the same title page holds for every page
   (`css/titlepage.css`), and an exception for one page is exactly the
   duplication that was to be done away with. */

/* The jump out of the bar of parts has to land below both bars. The rule for
   that stands in css/treatise.css and counts `--masthead-height` in; only the
   head is added here, which is shallower in the narrative. */
.narrative .chapter { scroll-margin-top: calc(var(--masthead-height, 0px) + var(--bar) + .4rem); }

/* **The plate begins at the height of its heading.**
 *
 * In the treatise a head block stands above every section, and the margin column
 * begins below it. Here the head has fallen away so that the text runs on, and
 * the plate thereby sat at the top edge of the section, above the first line
 * beside it: it stuck to the bar.
 *
 * The first attempt set it at the height of the heading, and that was flush when
 * measured and still slapped on when read. It now begins at the **first line of
 * text**, that is below the heading: the heading's own top spacing plus its own
 * height, a measured 50.8 px between heading and first paragraph at a window
 * width of 1400 px.
 */
@media (min-width: 1180px) {
  .narrative .margin-sheet {
    margin-top: calc(var(--air) * 1.4 + 3.2rem);
  }
}

/* Below 1180 px the margin column stands in the flow under the text and the
   plate floats to the right. It needs no top spacing there, but the margin
   column itself must not stick to the last sentence. */
@media (max-width: 1179px) {
  .narrative .margin { padding-top: var(--air); }
}